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October
2006
OKI'S ISLAND WINS ITS FIRST PUBLISHING
AWARD
Hopefully, the first of many.
Kenny Kemp's
latest book,
Oki's Island, a parable in the
vein of Jonathan Livingston Seagull, has just received its first
accolade, an award for religious fiction in the
2006 USA Best Book Awards.
This continues
an unbroken line of awards for all of Mr. Kemp's books published by Alta Films
Press. His previous AFP books I
Hated Heaven,
Dad Was a Carpenter,
and The Carpenter of Galilee
were all recipients of numerous awards, the greatest of which, the Grand Prize
in the Writers' Digest International Self-Published Book Awards, went to Dad
Was a Carpenter, which resulted in a six-figure reprint deal with
HarperCollins, the world's largest publisher.
"I'm very
gratified," says Kemp, "because this confirms the notion that small, unique—and
dare I say, quirky—books can find an audience, even without the machinery
of the large publishers. And these awards are crucial to finding the audience in
the first place, because for most authors, the stamp of quality must be apparent
on a book's face. People do judge books by their covers, and book awards say to
the reader unfamiliar with my name that this book just might be worth their
time. If I can get them to take another few seconds, open the book, and read a
little, I might have them."
Oki's Island
shares its theme of personal spiritual growth when all around us are counseling
the status quo with Richard Bach's classic Jonathan Livingston Seagull.
"I've always loved that book," says Kemp, "because it inspired me to look within
for approval and not hope for the approval of others. I believe God has a unique
path for all of us, a path that may lead us far from others, but a path
nevertheless that we are supposed to follow. And while on that path we might
think we're alone, like Oki in his outrigger lost on an endless sea, we will
find, if we listen carefully, that we are not alone at all; that we have the
best traveling companion there is: God is with us, gently guiding us onward, and
our destiny is as wonderful as it is unimaginable."
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April 2004
THE CARPENTER OF GALILEE
WINS TWO MAJOR PUBLISHING AWARDS
Writers Digest redux;
first time for the Ben Franklins.
Kenny Kemp's illustrated The Carpenter
of Galilee has just received top prizes in the two most
important independent and small press book competitions. The large-format book, a retelling of the parable of the
Prodigal Son, contains scores of illustrations by renowned religious artist J.
Kirk Richards. Printed on clay-based paper, this handsome 64-page volume also
contains 12,000 words of text.
"That many paintings, combined with a novella-length story,
make this a truly unique book," says Kemp, flipping through the pages. "I had
written the book originally to be illustrated, but HarperCollins preferred a
traditional novel, and signed me to do three books encompassing a dozen or so of
the most important of Jesus' parables." These books form the "Parables of the
Carpenter" series, two of which (The
Welcoming Door and
City on a
Hill) are in bookstores now.
Kemp continues: "But I couldn't get the visuals out of my
head. I'd met Kirk Richards and been impressed by his work. He's a marvelous
young painter who understood the radical notion of placing the young carpenter
Jesus in the very stories he would one day teach the world."
Every year, Writers Digest magazine, the premier
writer's monthly, holds the International Self-published Book Awards,
judging tens of thousands of books. Just four years ago, Kemp won the
Grand Prize for his memoir Dad Was a Carpenter. This year,
The Carpenter of Galilee has been awarded Honorable Mention in the
Inspiration category. In addition, the book has received the Benjamin Franklin
Award, which is sponsored by PMA (Publishers
Marketing Association), the country's most prestigious small press
organization.
Kemp gently places the book on the coffee table. "I always
had a feeling about this project," he says, smoothing the cover. "And I wasn't
alone. From the first mock-ups, everyone who saw it was enchanted by its mix of
words and pictures, and what pictures—the illustrations are glorious and the
book turned out beautifully. I know it will enrich the life of anyone who reads
it."
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April 2004
CITY ON A HILL
CONTINUES THE
"PARABLES OF THE CARPENTER" SERIES
Second of three books will be published by HarperSanFrancisco this month.
Kenny Kemp's second installment in the "Parables of the
Carpenter" series hits the shelves
this month, but promises to not stay on them long.
"I'm bushed," says Kemp, sitting down to sip a hot chocolate,
wearing a teal silk shirt and khaki slacks. "It's the hardest work I've ever
done, and I'm tired." He notes that, in the past, his books have been either
accepted with little changes for publication, or rejected outright.
"That's how I got into self-publishing," he says, smiling.
"Rejections. But the first two books I published with Harper ( Dad Was a Carpenter
and
The
Welcoming Door) were accepted with very
few substantive changes. But this time . . . " he trails off, shaking his head,
"we had to do some real work."
What kind of real work? "The hard work kind of real work,"
says Kemp. "In The Welcoming Door I chose the three most famous parables
(the Prodigal Son, the Talents, the Good Samaritan) to expand upon. They are
told as three discrete stories, and reader has no problem remembering out who is
who. But in this book I combine two lesser-known stories Jesus taught into one
narrative, the parable of the Unjust Judge and the parable of the Wicked
Servant."
This draws a blank. "See?" says Kemp. "We all know them once
we hear them again, but they are not as famous as the previous three. Plus, I
placed Jeshua (Jesus's Aramaic name) in Sephoris, the capital of Galilee, where
he is working on a huge Roman basilica, or public building, laboring with
hundreds of other Jewish artisans. He comes into conflict, not only with the
Roman governor and his fellow workers (who are about to strike over unpaid
wages), but his arch-nemesis himself, King Herod Antipas."
Is this the same Herod Antipas who beheaded John the Baptist
and cleared the way for Pilate to crucify Jesus?
"The very same," says Kemp. "So you see this is a complex
story with a lot of characters, and it's real work to keep the reader not only
engrossed with the unfolding story, but clear on who is who and what their goals
are. The third
book in the series, Tower of Stone, takes on the
most portentous and prescient parable of all, the one that mirrors Jesus'
actual life the most: the parable of the Wicked Tenants, where the traveling
landowner sends his own son to the tenants and for his efforts they kill the
young man. the book ends with Jeshua narrowly escaping with his life."
"But we'll work up to this one," says Kemp. "The books are
written to be read in order, beginning with The Welcoming Door, but it
isn't absolutely necessary."
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August 2003
ILLUSTRATED VERSION OF THE WELCOMING DOOR IS RELEASED
When award-winning author Kenny Kemp wanted to publish a
64-page, full-color coffee table book containing 24 illustrations and over
12,000 words, the publishers scoffed. "They thought it would be impossible to
market," says Kemp. "It has pictures, so it may be a children's book. But it has
lots of words, too, so perhaps it's an adult novella. They were confused."
"I wasn't," says Kemp, thumbing proudly through the book. "I
had a feeling from the start. When I wrote the story, a retelling of the Parable
of the Prodigal Son, I saw images in my mind's eye and I wanted people to see
those images." Kemp contacted renowned religious artist Kirk Richards, who
created two dozen oil paintings in a style reminiscent of
Karl Bloch, the Danish master. "At first Kirk
was not interested in illustrating a book," says Kemp. "He said, 'Illustrations
answer questions; paintings ask them.' I told him I wanted paintings and gave
him free reign. The result is an astonishing collection of paintings that truly
capture the Galilee of Jesus' time. They must be seen to be
believed."
Kemp's take on the story is unique as well. He
put Jesus himself in the parable. "I assumed he would have personally
experienced many of the stories he later taught in his ministry," says Kemp.
"And I liked the notion of him working in a simple job, with no disciples or
notoriety—a life much like each of us lives today. And so his choices have
much more resonance—he's the Everyman Jesus. And it's fun because the reader
knows who Jesus really is, but the people in the story don't. But they
slowly realize there's something special about this young carpenter . . . "
Printed in Korea to keep costs down, the book retails for
only $15.95, almost ten dollars less than comparable books. "Books are far too
expensive," says Kemp. "I wanted this to be a book that people couldn't resist.
I was sure that once they saw the glorious paintings, they would be hooked. And
I didn't want the price to be an impediment to buying it."
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October 2002
NEW BOOK FROM KENNY KEMP ARRIVES
Winner of the National Self-Published Book Award shifts from memoir to
historical fiction.
Early reviews for
The
Welcoming Door are effusive:
"Destined to be a
Christian classic!" — Lynn Hinton, Friendship Cake
"Good storytelling meets good theology." — Phil Gulley, Harmony
"An admirable job; engrossing and engaging." — Publishers Weekly
On October 1st,
HarperSanFrancisco
released the new book by successful self-published author Kenny Kemp, winner of
the 1999 National Self-Published Book Award for his touching memoir
Dad Was A
Carpenter.
Shortly after re-issuing Dad, Harper signed Kenny to a
three-book deal for a series of historical novels set in Palestine in the time
of Christ called "The Parables of the Carpenter." In the first book,
The
Welcoming Door, Kemp tackles three of the most famous parables: the
Prodigal Son, the Talents, and the Good Samaritan, placing a young carpenter
from Nazareth named Jeshua bar Joseph in the events he will later teach as his
parables.
"I’ve worked in the trades all my life," says Kemp, a
building contractor as well as an attorney and filmmaker. "One day I was
pondering why Jesus chose not only to come to earth 2000 years ago, instead of
today when he would have the world’s communication systems at his disposal, but
to be born a child of a poor carpenter in Galilee. And then he spends most of
his life working in the trade, and only about three years teaching his Gospel.
There must be something important to be learned from even a carpenter’s life."
"The moment I heard it, I thought it was a brilliant idea,"
says Kemp’s editor, Gideon Weil. "Though the last thing I wanted to read was
another fictionalized life of Christ. But from the first page, I was enthralled,
not only with Kenny’s amazing ability to capture time and place, but with Jeshua
himself. He is one of the most compelling characters I’ve ever read―totally real
and very complex. Kenny has really done a masterful job of bringing the parables
to life in this book."
The book premiered at the Christian Bookseller’s Association
convention in July in Anaheim, CA. Kemp spoke at the "Logos" bookstore chain
annual dinner, reading passages from the book. It was well-received, according
to HSF sales chief Jeff Hobbs.
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